In Antonito, Colorado, stands a two-story beer can castle visible for blocks as you take Main Street, mud and tin, discards of a lapsed warrior who stacks glass and nails hubcaps, banging out his gratitude for survival in battle. We’re told that the maker resides in an adjacent trailer, drinks tea with deities, having sworn off tobacco scored in Binh Ba, Vietnam, and the binge alcohol of potential death. He saws the cans in half and drags them flattened to the backyard, flipped inside out, sculpts icing of sparkling shingles Stark red evil eye swings at the front gate, burning reminder, and our Lady of Guadalupe, mother of God, stands coy in a small birdcage. She is safe here with her head bowed, one innocent outstretched hand under these eerie winter windows curtains torn to expose only black and the menagerie of glass as insulation. These monumental spires resemble grain silos on the horizon, or nose cone capsules separated from their...